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LiveSet · sounds

The factory sounds

The factory pack ships 534 presets across 14 categories, tuned for the music LiveSet is built around. Save your own chains next to them, and open the bundled projects to see how a finished set is put together.

What the 534 presets are made of

Presets spanning every engine, from sub-bass to the top of a riser.

Tonal · 360

Bass

90

Lead

90

Pluck

36

Keys

58

Pad

58

Arp

12

Stab

16

Drums, percussion and Fx · 174

Kick

38

Snare

20

Hat

24

Clap

12

Tom

14

Perc

36

Fx

30

Underneath those 14 categories sit 59 subcategories. Sub, 303 Bass, Reese, Supersaw, Sync Lead, FM EPiano, Karplus Pluck, Additive Pad, Modal Hit, 808 Kick, Punchy Kick, Open Hat and the rest, so “Bass” works as a shelf rather than as a bucket. Across the pack the presets carry 84 distinct tags.

Finding one

How the presets are rated

A name tells you almost nothing about a sound. So every one of the 534 carries a character vector alongside its category and tags: five values from 0 to 1, set when the preset is made. You can describe what you want without remembering what it was called.

bright
Where the energy sits. Sub-bass at one end, a riser at the other.
hard
How much the attack hits you. A soft pad against a sync lead.
evolving
Whether the sound stays put or moves while the note is held.
digital
Analogue warmth at zero, FM and additive glass at the top.
dirty
Clean tone against saturation, drive and deliberate grit.
Plus the plain metadata
Name, category, subcategory and tags. A Sub 01 knows it is a Bass, a Sub, and tagged bass / sub / 808.

How we know they are right

How the pack is checked

A preset library is easy to get wrong quietly. Somebody adjusts a filter default, and forty presets that used to be basses are now something else, and nobody notices until a set is already running.

So auditioning a preset and committing it is not the whole process. A test renders every preset in the shipped pack, measures the audio it produces, and checks that it still measures as the category it claims. A preset that drifts out of its category fails the build.

every preset, every build

render the preset at the note it was gated on

measure the result

assert it still measures as its category

534 / 534 pass

The pack is one portable file. And if you import it twice, the second import is fully deduplicated by content hash, so your library does not fill up with copies.

Your own presets

Saving your own

When you land on an effect chain you like, save it. Your FX-chain presets sit alongside the factory ones and come back whenever you need that treatment again.

So the sound you dialled in on one track becomes the starting point for the next set, instead of something you rebuild from memory.

Take one apart

22 projects to open and learn from.

These are whole sets, with the patterns, scenes and effects left in. Open one, follow the patterns into the scenes, see which effects sit on which track, and change anything you like. Nothing in them is locked, and it is the fastest way to learn how the pieces fit together.

Techno

128

Breaks

170

Ambient

90

Deep House

122

DnB

174

Jungle

165

Dub Techno

120

Hardcore

180

Acid

130

Electro

132

Trance

138

Minimal

125

Deep Drift

85

Glacial

72

Berlin School

104

Dub Drift

110

Cinematic

95

Hardgroove

138

Tribal

136

Peak Time

140

Pumping

139

Industrial

142

18 synth demos

Shorter pieces built to show one thing well: a Reese that evolves, a morphing lead, a machine kit, an anatomy of a bass patch. Open the one whose sound you want to understand.

Five themed setlists

Club Night · Hardgroove Techno · Bass Music · Atmospheric · Chill + Melodic. Each one sequences a group of the projects the way you would play them, so you can see a whole night instead of a single track.

A tutorial set

A first set built to be walked through: the shortest path from installed to playing something.

The music it is built around

72 to 180 BPM, and most of what lives between.

The shipped projects run from Glacial at 72 and Deep Drift at 85 up through house and techno in the 120s and 130s, drum and bass and jungle at 165 to 174, and Hardcore at 180. Dub techno, acid, electro, trance, minimal, Berlin School, tribal and industrial all have one.

That spread is deliberate. The presets were made against this working library instead of a demo reel, so they tend to land in context instead of needing twenty minutes of work before they fit a track.

One thing to know

Where you browse them

The preset browser lives in the Prepare activity, and you load a preset onto a slot to hear it instead of previewing it from the list. With 534 of them, that is worth knowing before you go hunting mid-set: pick your sounds while you are building, and the character axes and tags are there to narrow the list before you load anything.